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e it was ripening. The watchmen had pieces of board which they put on frames suspended in the air, a

watchman to keep constantly on the alert, as the birds were full of mischief, and, from being rarely shot at, their boldness and impudence were quite astonishing to one freshly arrived from America, where the use of fire-arms is so general. While Doctor Bronson was explaining about the birds, Fred sudden

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ly gave an exclamation of delight. "Look, look!" said he; "what are those beautiful white birds?" [Pg 106] "Oh, I

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know," answered Frank; "they are storks. I recognize them from the pictures I have seen on fans and screens. I'm sure the

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y are storks." STORKS, DRAWN BY A NATIVE ARTIST. STORKS, DRAWN BY A NATIVE ARTIST. The decision was appealed to Doctor

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Bronson, who decided that the birds in question were storks, and nothing else. There was no mistaking their beautiful fig

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ures; whether standing in the fields or flying in the air, the stork is one of the handsomest birds known to the ornithologist. "You see," said Doctor Bronson, "that the stork justifies the homage that is paid to him so far as a graceful figure is concerned, and the Japanese have shown an eye for beauty

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t they rattled i
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when they selected him for a prominent place in their pictures. You see him everywhere in Japanese art—in[Pg 107] bronzes, on costly paintings, embroidered on silk, printed on fans, and on nearly every article of household use. He has a sacred character, and it would not be easy to find a Japanese who woul

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e are probably no other artists in the world who can equal the Japanese in drawing the stork in all the ways and attitudes he assumes. These are almost countless; but, not satisfied with this, there are some of the native artists who are accused of representing him in attitudes he was never known to take. A

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